“When you look back at certain moments in fashion, certain designers come to mind. Then when fashion has moved on, they have been left behind. That’s not, in anyway been the case with Miuccia.”
- Anna Wintour on Miuccia Prada to CNN
Miuccia Prada and Elsa Schiaparelli have been bestowed the honour of becoming the next exhibition at The Metropolitan Museum of Modern Art in New York.
The exhibition is an agglomeration of two of Italy’s most successful females in fashion. Schiaparelli is celebrated for birthing the concept of fashion shows, whilst Miuccia has been at the helm of her grandfather’s fashion house since 1978.
With the recent, astounding success of Alexander McQueen’s ‘Savage Beauty’, Harold Koda and Andrew Bolton, the curators at The Costume Institute, have high expectations for their future project.
In her sixth decade, Miuccia Prada displays no signs of braking to halt her fashionable career. As the youngest granddaughter of Mario Prada, Miuccia has blossomed the house of design to one which perfectly caters to the needs and whims of their customer base. Each season Prada has surprised and astounded critics with her trademark minimalist, comfortable luxury.
In previous twelve months, Prada along with the fashion house’s sister company Miu Miu collated sales of €2.1 billion. Miuccia’s positive direction has also increased Prada’s influence with the purchasing of Jil Sander, Helmut Lang, Fendi, Azzedine Alaia and Church & Co.
With a Ph.D in Political Science, Miuccia is most certainly a fashionable force to be reckoned with.
Elsa Schiaparelli is defined as one of the most influential designers from the interval period of the two World Wars.
Although Schiaparelli’s competitors, such as Gabrielle Chanel, adapted their designs to the rations accustomed with war, Elsa dispelled such lunacy and progressed with her brazen creations.
Elsa Schiaparelli’s luxurious creations transgressed across the domains of fashion and film. The designer created the wardrobes for numerous films including; the French edition of ‘Topaze’, Mae West’s character in ‘Everyday’s a Holiday’, whilst her final cinematic collaboration can be viewed with Zsa Zsa Gabor’s costumes in ‘Moulin Rouge’.
The exhibition is scheduled to begin in May of next year, with an official launch at Anna Wintour’s annual Met Ball. The public will be permitted entrance the following day.















